In
the wake of World War II, the hegemony that Hollywood established over the American
entertainment industry over the course of the first half of the 20th
century was compromised by the proliferation of a relatively new technology:
the television. First introduced in the late 1920s, the television became a
staple in the post-war American household; in the same way that film technology
originally replicated the experience that was once unique to stages, the
average American family could now emulate the experience of going to the movies
in its own living room. This blog will focus on how the television represented
an evolution in hedonic value – an evolution that continues to this day.
As
detailed in New York University’s comprehensive History of Television, the first
T.V. was successfully developed by 21-year-old inventor Philo Taylor Farnsworth
in San Francisco on September 7, 1927; the technology, though, was still crude
and far from the perfected product we would expect today. Over the next couple
of decades, prominent American investors poured money into scientific endeavors
to further develop television technology, and by 1947, commercial television
broadcasting in the United States began.
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| Philo Taylor Farnsworth, pictured here in 1935 with a primitive television. [Phil Farnsworth in 1935 with a television set he invented.]. (1935). SF History Center. |
The
commencement of commercial broadcasting in the United States ushered in an era
of television commonly referred to as the “Golden Age”, a period which lasted
up through roughly 1960. Television’s Golden Age was characterized by the rise
of the first critically acclaimed comedy and drama series, representing a deviation
in the radio-esque, news-driven programming of television past. In a sense,
television programmers in the Golden Age realized the hedonic-value potential
of the medium and capitalized. Uncoincidentally, this era also precipitated the
still-ongoing decline in movie theatre popularity: again, per Babin and
Harris’s Value Equation on page 28 of CB, it makes sense that Americans would
choose to conserve time and money by choosing to indulge in entertainment in
the comfort of their own homes rather than going to the movies. (Babin
& Harris, 2016)
The
turn of the 21st century represented another evolutionary step in
television, similar in magnitude to the transition to the Golden Age. Specifically,
the hedonic-value potential of television has increased exponentially with the
advent of both premium programming and recording devices. In the 1980s and
‘90s, networks like HBO, Showtime, and Starz were created as alternatives to
network programming and introduced exclusive, commercial-free, and less
regulated television to the Americans willing to subscribe for a fee. This
renaissance in programming catalyzed a new Golden Age of television (which we
are still in the midst of today) marked by massive, sometimes movie-like
budgets for TV series and vastly improved visual aesthetics and storytelling.
The salient programming in this second Golden Age is also made more readily available
to consumers via technology. Cable companies began to offer both recording and
On Demand services to subscribers in the 2000s to enhance consumers’ viewing
experience; in relation to the Value Equation, television viewers now receive
more hedonic value by not having to necessarily plan around a certain time to
watch a program in the way they would have to in the past or they would if they
were to go the movies.
The
evolution of television over the years has nothing short of riveting and we, as
consumers today, are lucky enough to be a part of the most recent renaissance
that is responsible for cultural phenomenons like HBO’s Game of Thrones, AMC’s
Breaking Bad, etc. The third and final blog in this series will focus on the
future of this newfound Golden Age and how it is being shaped by online,
subscription-based services like Netflix and Hulu, two titans who are also
affecting the film industry. I hope you found this blog interesting and useful!
Citations:
Babin, B. J., & Harris, E. G. (2016). CB (Vol. 7), 28 – 29.
Stephens, M. (n.d.). History of Television. Retrieved from nyu.edu website: https://www.nyu.edu/classes/stephens/History%20of%20Television%20page.htm
Stephens, M. (n.d.). History of Television. Retrieved from nyu.edu website: https://www.nyu.edu/classes/stephens/History%20of%20Television%20page.htm

